Sneak Peek #7: New American History Guide
Posted: Sat May 30, 2015 2:56 pm
Ladies,
I apologize for the delay in between sneak peeks. Life is busy as usual, and although I have had the books selected for this next sneak peek for a long time, it is only now that I am getting time to actually share them with you.
First, I wanted to recap our journey toward the literature plan that we've come up for the new American History guide. I shared much of this journey when we introduced our literature plan for the World History Guide, but I will share it again below to set the stage for our literature plan for the new American History Guide.
With our oldest son (who graduated last year), we did a variety of things for his high school literature study. We did all of Smarr's Intro. to Lit, did a meshing of Smarr and LLATL Gold for British Lit, did BJU with novels for American Lit., and during his senior year did more of the approach we are taking with our American History guide for literature. While each program definitely had its merits, our son far and away enjoyed his final year of literature the most!
The question then becomes, "Why is this true?" From my perspective, it is true because for his senior year my son was able to read and enjoy the book without as much forced interpretation (from me)! He was able to linger with a book a bit more, allowing himself to take time to think on those parts of the book that struck him. This is because he had the responsibility for making the connections, instead of waiting for the quiz show question approach coming right after his reading to tell him what to notice. The question, question, question approach often tells the child that he/she only needs to pay attention to the answers to the questions; rather than forcing the student to really think for himself/herself.
We had our older son do both Common Place Book entries and annotate as he read and both went well! The Common Place Book entries kept him looking for quotable lines as he read. It also made sure that he didn't miss beautiful descriptive passages, significant quotes, or subtle nuances that may otherwise be glossed over in a rush to get done reading. In essence, it allowed him to stop and take note (because that was the goal of the assignment). The annotating was a personal way that connected our son with the reading, and it helped him note what stood out to him. Both of these exercises placed emphasis on the reading, rather than the follow-up. That is as it should be!
We've also discovered that a brief introduction of something to watch for or note in the day's reading was helpful. That set the stage a bit for the reader, focusing him/her on the story keeping the student from just jumping in and reading without thinking. This combined with Common Place Book entries and annotating made the reading purposeful.
We will be providing these brief introductions as appropriate for the student.
We've also found that some guidance in reflection after reading was good, but it was better if the guidance really directed the child to reflect (rather than guiding the child to answer a question that required one right answer). Since reflection is often personal, journaling the response was a great way to reflect upon the day's reading.
We'll be guiding the reflection within our plans.
Last, we met with our son after the book ended and discussed the story elements, but more importantly we discussed the book's theme and how that theme compared to what God tells us in His Word. We left these discussions pretty open to our oldest son and found that with his maturity (being a senior) this worked well. However, for the American History guide, with the younger age of those students in mind, it is helpful to have a bit more guidance in the discussion with the questions to ask and the Scriptures to go over. So, this will be something we will provide for families at the end of each book to aid in the discussion, as we did in the World History Guide.
This type of discussion works best after the book is all done, as it allows for fully developed themes and plots to have revealed themselves and allows opportunity for more sifting and sorting through the entirety of the story to find the meaning.
As you can see, the plan above focuses on the book first and the analysis last. It doesn't interrupt the book with constant questioning or with continual essay-writing projects. It still gives you as the teacher a system of checks and balances, and makes it harder for the student to zone out of the reading by just finding the answers.
After the year of testing this type of literature program with our oldest son, and now with our second oldest son through the World History Guide's literature, we are thrilled with the results. We pray you will be too as you embark on this study of literature along with us in the American History guide.
If you think about it, this type of literature program would be very difficult to circumvent through the use of Cliff Notes or Spark Notes (which are so often used in placed of actually reading the literary work). The continual reflection, annotation, and Common Place Book entries would not be easy to do unless you really read the book. Both oral narrations and written narrations would also be tough to pull off without reading the book. The discussion at the end of the book would be hard to participate in very much, if you hadn't really read the whole work either, as much of it will be interpretation. So, through this type of program, the child is being encouraged to pay attention, read purposefully, linger, select, reflect, draw conclusions, infer, synthesize, evaluate, and interpret.
In the end, the final reason we chose to do literature this way, was because as we looked at all the literature programs available and contemplated their use, we discovered many barriers. Often the program drew the reading of the book out too long, or (on the other hand) read the books much too quickly. Other programs asked way too many questions, or required a huge amount of essay-writing and written work (de-emphasizing the reading to the point of the writing taking over). Some programs didn't use full-length literature, or emphasized way too much poetry or contained purely excerpts and short stories. Still other programs were very focused on vocabulary exercises and one-right answer questions, leaving the students with little to reflect upon. Selecting a pre-made literature program also required me to use books that I would not really choose to use with my own children, and this did not sit well with me either!
I finally realized that to do any other literature program meant that the program would drive the book choices. Instead, we wanted the book choices to drive the program. This meant that in true Charlotte Mason style, the booklist should come first and be of the utmost important. So, this is how we arrived at the plan we have now.
While it is important that students gain practice in reading more difficult literature, it is a worthy goal for students to still being able to enjoy the experience as much as possible. High school level literature can often contain many adult themes that may leave a student feeling hopeless, depressed, and/or searching for meaning. So, in our book selections, we realized it is important to temper that without totally running from it. This means that we need to allow students to grapple with more difficult, adult themes without allowing the themes to become so heavy that they overtake the story until the child is weighted down in the reading. With this in mind, some books (in my opinion) are just better read as a mature adult.
For the literature portion of the new American History Guide we are using a combination of 8 novels, 8 short stories, 4 famous primary sources that often fall under the literature category, 1 full-length autobiography, and 1 play. Since this particular guide will focus on American literature, it is important that students be exposed to a variety of American authors. Short stories fulfill this role well, so these alternate with longer works of literature in our guide. The follow-ups for the short stories will include vocabulary work and more pointed questioning, which will be helpful to students in preparation for the ACT or SAT.
While many of the short stories used in our guide are in the public domain, the versions of these stories we will carry will also contain follow-up questions and assignments as part of the short story booklet that will be needed to complete the plans. So, the specific version in our literature package will be needed. The variety of questioning and assignments for short stories alternated with the more Charlotte Mason focused real books follow-ups will provide a varied and interesting year of literature study for the students.
Selections for American Literature (in the new American History Guide): - marching forward in loose chronological order
The Robe by Lloyd C. Douglas
The Prince and the Pauper by Mark Twain
The Scarlet Letter by Nathaniel Hawthorne (with study guide)
The Autobiography of Benjamin Franklin (excerpts only)
"Sinners in the Hands of an Angry God" by Jonathan Edwards (sermon)
"Rip Van Winkle" by Washington Irving (short story)
"The Man Without a Country" by Edward Everett Hale (short story)
From My Bondage, My Freedom by Frederick Douglas (excerpts only)
Up From Slavery by Booker T. Washington
Christy by Catherine Marshall (for girls); Rifles for Watie by Harold Keith (for boys) and "To Build a Fire" by Jack London (short story for boys)
"The Purloined Letter" by Edgar Allen Poe (short story)
Girl of Limberlost by Gene Stratton Porter (for girls); The Hoosier Schoolmaster by Edward Eggleston (for boys)
The Virginian by Owen Wister
"The Bride Comes to Yellow Sky" by Stephen Crane (short story)
"The Ransom of Red Chief" by O. Henry (short story)
"The Miracle Worker" by William Gibson (play)
"The One-Million-Pound Bank-Note" by Mark Twain (short story)
"The Gift of the Magi" and "Mammon and the Archer" by O. Henry (short stories)
The Lilies of the Field by William E. Barrett
"I Have a Dream" and "Letter from Birmingham Jail" by Martin Luther King, Jr.
"Bartleby the Scrivener" by Herman Melville (short story)
The Mouse that Roared by Leonard Wibberley (Out of print now, so we will not include it)
A huge amount of time, prayer, and effort has gone into our book selections for literature. Each selection has a definite role to play and themes that are relevant today.
Blessings,
Carrie
I apologize for the delay in between sneak peeks. Life is busy as usual, and although I have had the books selected for this next sneak peek for a long time, it is only now that I am getting time to actually share them with you.
![Very Happy :D](./images/smilies/icon_biggrin.gif)
First, I wanted to recap our journey toward the literature plan that we've come up for the new American History guide. I shared much of this journey when we introduced our literature plan for the World History Guide, but I will share it again below to set the stage for our literature plan for the new American History Guide.
![Very Happy :D](./images/smilies/icon_biggrin.gif)
With our oldest son (who graduated last year), we did a variety of things for his high school literature study. We did all of Smarr's Intro. to Lit, did a meshing of Smarr and LLATL Gold for British Lit, did BJU with novels for American Lit., and during his senior year did more of the approach we are taking with our American History guide for literature. While each program definitely had its merits, our son far and away enjoyed his final year of literature the most!
![Very Happy :D](./images/smilies/icon_biggrin.gif)
The question then becomes, "Why is this true?" From my perspective, it is true because for his senior year my son was able to read and enjoy the book without as much forced interpretation (from me)! He was able to linger with a book a bit more, allowing himself to take time to think on those parts of the book that struck him. This is because he had the responsibility for making the connections, instead of waiting for the quiz show question approach coming right after his reading to tell him what to notice. The question, question, question approach often tells the child that he/she only needs to pay attention to the answers to the questions; rather than forcing the student to really think for himself/herself.
![Very Happy :D](./images/smilies/icon_biggrin.gif)
We had our older son do both Common Place Book entries and annotate as he read and both went well! The Common Place Book entries kept him looking for quotable lines as he read. It also made sure that he didn't miss beautiful descriptive passages, significant quotes, or subtle nuances that may otherwise be glossed over in a rush to get done reading. In essence, it allowed him to stop and take note (because that was the goal of the assignment). The annotating was a personal way that connected our son with the reading, and it helped him note what stood out to him. Both of these exercises placed emphasis on the reading, rather than the follow-up. That is as it should be!
![Very Happy :D](./images/smilies/icon_biggrin.gif)
We've also discovered that a brief introduction of something to watch for or note in the day's reading was helpful. That set the stage a bit for the reader, focusing him/her on the story keeping the student from just jumping in and reading without thinking. This combined with Common Place Book entries and annotating made the reading purposeful.
![Smile :)](./images/smilies/icon_smile.gif)
We've also found that some guidance in reflection after reading was good, but it was better if the guidance really directed the child to reflect (rather than guiding the child to answer a question that required one right answer). Since reflection is often personal, journaling the response was a great way to reflect upon the day's reading.
![Very Happy :D](./images/smilies/icon_biggrin.gif)
Last, we met with our son after the book ended and discussed the story elements, but more importantly we discussed the book's theme and how that theme compared to what God tells us in His Word. We left these discussions pretty open to our oldest son and found that with his maturity (being a senior) this worked well. However, for the American History guide, with the younger age of those students in mind, it is helpful to have a bit more guidance in the discussion with the questions to ask and the Scriptures to go over. So, this will be something we will provide for families at the end of each book to aid in the discussion, as we did in the World History Guide.
![Very Happy :D](./images/smilies/icon_biggrin.gif)
![Very Happy :D](./images/smilies/icon_biggrin.gif)
As you can see, the plan above focuses on the book first and the analysis last. It doesn't interrupt the book with constant questioning or with continual essay-writing projects. It still gives you as the teacher a system of checks and balances, and makes it harder for the student to zone out of the reading by just finding the answers.
![Wink :wink:](./images/smilies/icon_wink.gif)
![Very Happy :D](./images/smilies/icon_biggrin.gif)
If you think about it, this type of literature program would be very difficult to circumvent through the use of Cliff Notes or Spark Notes (which are so often used in placed of actually reading the literary work). The continual reflection, annotation, and Common Place Book entries would not be easy to do unless you really read the book. Both oral narrations and written narrations would also be tough to pull off without reading the book. The discussion at the end of the book would be hard to participate in very much, if you hadn't really read the whole work either, as much of it will be interpretation. So, through this type of program, the child is being encouraged to pay attention, read purposefully, linger, select, reflect, draw conclusions, infer, synthesize, evaluate, and interpret.
![Very Happy :D](./images/smilies/icon_biggrin.gif)
In the end, the final reason we chose to do literature this way, was because as we looked at all the literature programs available and contemplated their use, we discovered many barriers. Often the program drew the reading of the book out too long, or (on the other hand) read the books much too quickly. Other programs asked way too many questions, or required a huge amount of essay-writing and written work (de-emphasizing the reading to the point of the writing taking over). Some programs didn't use full-length literature, or emphasized way too much poetry or contained purely excerpts and short stories. Still other programs were very focused on vocabulary exercises and one-right answer questions, leaving the students with little to reflect upon. Selecting a pre-made literature program also required me to use books that I would not really choose to use with my own children, and this did not sit well with me either!
I finally realized that to do any other literature program meant that the program would drive the book choices. Instead, we wanted the book choices to drive the program. This meant that in true Charlotte Mason style, the booklist should come first and be of the utmost important. So, this is how we arrived at the plan we have now.
![Very Happy :D](./images/smilies/icon_biggrin.gif)
While it is important that students gain practice in reading more difficult literature, it is a worthy goal for students to still being able to enjoy the experience as much as possible. High school level literature can often contain many adult themes that may leave a student feeling hopeless, depressed, and/or searching for meaning. So, in our book selections, we realized it is important to temper that without totally running from it. This means that we need to allow students to grapple with more difficult, adult themes without allowing the themes to become so heavy that they overtake the story until the child is weighted down in the reading. With this in mind, some books (in my opinion) are just better read as a mature adult.
For the literature portion of the new American History Guide we are using a combination of 8 novels, 8 short stories, 4 famous primary sources that often fall under the literature category, 1 full-length autobiography, and 1 play. Since this particular guide will focus on American literature, it is important that students be exposed to a variety of American authors. Short stories fulfill this role well, so these alternate with longer works of literature in our guide. The follow-ups for the short stories will include vocabulary work and more pointed questioning, which will be helpful to students in preparation for the ACT or SAT.
![Very Happy :D](./images/smilies/icon_biggrin.gif)
![Very Happy :D](./images/smilies/icon_biggrin.gif)
Selections for American Literature (in the new American History Guide): - marching forward in loose chronological order
![Very Happy :D](./images/smilies/icon_biggrin.gif)
The Robe by Lloyd C. Douglas
The Prince and the Pauper by Mark Twain
The Scarlet Letter by Nathaniel Hawthorne (with study guide)
The Autobiography of Benjamin Franklin (excerpts only)
"Sinners in the Hands of an Angry God" by Jonathan Edwards (sermon)
"Rip Van Winkle" by Washington Irving (short story)
"The Man Without a Country" by Edward Everett Hale (short story)
From My Bondage, My Freedom by Frederick Douglas (excerpts only)
Up From Slavery by Booker T. Washington
Christy by Catherine Marshall (for girls); Rifles for Watie by Harold Keith (for boys) and "To Build a Fire" by Jack London (short story for boys)
"The Purloined Letter" by Edgar Allen Poe (short story)
Girl of Limberlost by Gene Stratton Porter (for girls); The Hoosier Schoolmaster by Edward Eggleston (for boys)
The Virginian by Owen Wister
"The Bride Comes to Yellow Sky" by Stephen Crane (short story)
"The Ransom of Red Chief" by O. Henry (short story)
"The Miracle Worker" by William Gibson (play)
"The One-Million-Pound Bank-Note" by Mark Twain (short story)
"The Gift of the Magi" and "Mammon and the Archer" by O. Henry (short stories)
The Lilies of the Field by William E. Barrett
"I Have a Dream" and "Letter from Birmingham Jail" by Martin Luther King, Jr.
"Bartleby the Scrivener" by Herman Melville (short story)
The Mouse that Roared by Leonard Wibberley (Out of print now, so we will not include it)
A huge amount of time, prayer, and effort has gone into our book selections for literature. Each selection has a definite role to play and themes that are relevant today.
![Very Happy :D](./images/smilies/icon_biggrin.gif)
Blessings,
Carrie